Can cinema be augmented to reflect our multifaceted, multimedial environment?
Jean-Claude Bustros
- Associate Professor
- Mel Hoppenheim School of Cinema
- generative storytelling2
- responsive environments7
- urban embedded cinema
- screen-based reactive arts
- screen culture6
- experimental cinema10
- interactivity19
- visual adaptive storyscapes
- cinema30
- film/media production24
- storytelling42
- interaction design11
- interactive narrative8
- future cinema
- intelligent images
- spatialization
- ubiquitous and pervasive computing3
- hypercinema
- urban futures45
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Marco Luna Barahona
virtual reality (VR), responsive environments, digital media
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Guylaine Dionne
cinema, screenwriting, multimedia
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Matt Soar
research-creation, cities, material culture
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Daniel Cross
documentary making, democratic values, cultural and social change
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Tim Schwab
documentary making, new media studies, first person media production
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Miao Song
cinema, interactive projection mapping, China studies
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Catherine Russell
film/media theory, criticism, Japanese cinema
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Jonathan Lessard
history of games, game studies and design, videogames
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Roy Cross
craft of fiction, screenwriting, cinema
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Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Pippin Barr
videogames, experimental game design, critical design
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Alice Jarry-Girard
materiality, urban futures, design for sustainability
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Cilia Sawadogo
animation, cinema, film/media production
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Marianna Marta Milhorat
film/media production, experimental cinema, cinema
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pk langshaw
social design, research-creation, media arts
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Michael Yaroshevsky
cinematography, photography, perception
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Rilla Khaled
game studies and design, critical design, persuasive design
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Luc Otter
animation director, computer animation, traditional animation
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Hannah Claus
contemporary art, Kanien'kehá:ka, installation
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Alisi Telengut
research-creation, under-camera animation, post-human critical theory
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Nicolas Renaud
Indigenous cinema, Huron-Wendat Nation, Indigenous ecology
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David Jhave Johnston
digital poetry, poetry, media arts
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Velibor Božović
photography, other lives of the photograph, historical memory
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Donato Totaro
moving image studies, temporality, horror genre
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Luigi Allemano
animation, drawing, music making
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Cheryl Simon
contemporary art, globalization, media arts
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Christopher Moore
humour and parody, playfulness, social transformation
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Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Michael Montanaro
transformation, transmutation, proposition/purpose
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Laura Endacott
visual culture, contemporary art, relational art
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Brian Lewis
technological change, social impacts of technology, research networks
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Haidee Wasson
emergent media, moving image technologies, cultural institutions
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Charles Acland
moving image studies, new media studies, film/media theory
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Raymonde April
autofiction, afterlife, storytelling
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Joanna Berzowska
electronic textiles, interaction design, responsive garments